Second Place in Guitar Player Magazine’s Guitar Superstar Contest!

gp-2010 On September 18th, I played in Guitar Player Magazine’s annual Guitar Superstar Competition. I placed 2nd out of the ten finalists! Thanks to everyone that showed his or her support by voting for my video to help me get to the next level. Thanks also to Michael Molenda, Lauren Gerber, Art Thompson, and the rest of the Guitar Player crew for making this event happen! Check out the awesome picture below by the amazing Suzi Taylor.  Be sure to visit her website here.

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Developing Music Vocabulary

What is music vocabulary?

Music vocabulary is the ability to not only hear a sound and be able to play it back, but to also know how it works in the context of a song, riff or solo.

I can already play riffs by reading tabs and learning by ear, why do I need to learn this?

Learning music vocabulary is the same as learning a new language (except a lot more fun, right?!). Vocabulary is what we use to communicate with other musicians. The type of notes we play are like the words we speak. If we are learning Spanish, French, or Russian, it takes a lot of hard work and dedication. Learning music is no different. We could be the person who knows how to say “hello” or “goodbye” is ten different languages and nothing else, or we can learn as much as we can in one area and work on being fluent. Imagine this:

Steve Vai is looking for a new guitarist for his upcoming tour. You have practiced like crazy and learned all of his tunes note for note. You used tab books and figured every lick out by ear. One day you get a call and it is Steve Vai on the phone asking you to come audition for him. You show up and play all the songs he asks you to perfectly. Then he says,”let’s have a jam in the Lydian mode.” You ask yourself/What is the Lydian mode?!” Unable to figure it out, the audition ends and you don’t get the gig.

Being able to play the guitar is one thing, but being able to communicate ideas is another. Every little bit you learn helps develop your music vocabulary further. Here are some quotes by players that discuss the importance of music vocab:

Steve Vai on Learning Jimi Hendrix songs(Guitar Player Magazine, May 1990):

Joe Gore: [Sisters] is an obvious tribute to Hendrix’ Harmonic Vocabulary.

Steve Vai: Learning Hendrix songs was the basis of my chordal vocabulary when I was young.

Guitar Virtuoso AI Di Meola from Guitar Player Magazine Interview:

One thing I learned a long time ago was my fretboard, in terms of all the scale and all the positions, You have to learn it- there are no two ways about it. I shift between positions so easily now that I don’t really have to think about them much.

To play without thinking. That should be one of our ultimate goals as a musician. You might be asking,”then why are you making me do all this thinking now!?” There is in an old saying I have heard many times over the years: Learn as much as you can, and then forget everything, What does that mean? When you can speak a language fluently, you don’t really think about it. You know the words that you are saying and can express what you want to. It becomes second nature. All of the notes, scales, chords, riffs, etc” become a part of your vocabulary and you can execute them when you want. This is a challenge, and the only way to learn it is to go for it. So let’s begin.

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When can I call so I don’t interrupt a lesson?

I don’t have a phone in the studio or waiting area, so you never have to worry about when you call. This also means I can’t get the majority of my messages until I am done teaching(between 9 and 9:30pm).

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Why do you need two days’ notice for a cancelled lesson?

I have found that 48 hours is a fair amount of notice for both myself and the student. This allows me an ample amount of time to contact other students who need make-up lessons. If two days’ notice is not given, the regular lesson fee for your spot will be charged. I do this because:

  • I am not able to fill the time on such short notice
  • Other students waiting for a makeup cannot schedule one
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Can I record one of my songs at my lessons?

Your lesson is yours. If you have a vision of where you want things to go in our sessions, I am happy to go with it. Students ask me all the time, “can I bring my drummer to my lesson?” Of course! I have a full drum set, ready to be recorded. Anyone you collaborate with is always welcome to come sit in.

Every student is different, and I do not believe one method works for every guitarist or bassist. If you want to become a songwriter, it might not be necessary to learn shred techniques and speed picking. If you want to go to music school and are preparing for an audition, learning sight-reading, scales, and audition pieces are critical. If the direction we are going does not suit you, please let me know. These lessons are yours, and I intend to make them as educational,enjoyable,and beneficial as possible.

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Do you have a waiting list and if so, how long is the wait?

As of January, 2012, I have a short waiting list.  Once spring hits, I should have a few more openings due to seniors that will be graduating and going to college.  Feel free to e-mail me to see current availability.  We may be able to come up with a time/day that fits into my teaching schedule.  Feel free to e-mail me at eric@ericclemenzi.com or call 978.270.0687.

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How can I break out of playing the same licks and patterns?

This is a question I am asked frequently. Unfortunately, there is no easy solution. You could simply go and learn more licks, but that will still leave you without a thorough knowledge of how the notes you are playing are affected by the chords in any given progression.
To go beyond patterns and blues licks, you have to have a thorough understanding of the fretboard. You must learn EVERY note on the neck and be able recall it at any time. You must also learn basic chord theory. My friend and colleague Nate Comp has always said,”if you want to learn your chords, learn your scales. If you want to learn your scales, learn your chords.” There is no way around it.
Music is like a language. We don’t speak in patterns when we are trying to communicate. We try to express ourselves through the vocabulary we know. If we only know a couple phrases and never build on it, we will never become fluent. Approaching music works the same way. Learning scale and chords is just like learning the vocabulary to a new language. If you want to truly progress, you must put in the time and effort and become fluent with the fretboard and music theory.

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What are some essential tools every musician should have?

  1. An Electronic Tuner- Use it before you start your practicing, every time you practice.
  2. A Music Stand- Having a music stand keeps your body in the right position for practicing.
  3. A Guitar Strap- If your guitar/bass is a solid body, you’ll want to have a strap on at ALL TIMES!!! This keeps the guitar in the correct playing position. Adjust the strap so when you sit AND stand the guitar is at the exact same height. Even a drop in the strap by an inch can cause our fingers to not perform at the level we practiced at.
  4. Clean Strings- Make sure the strings you are playing on sound “alive” and not “dead.” There are varying degrees of string wear, so a lot of this is player preference. The main thing to make sure of is that your strings do not have lots of grime on them. If they start to turn black and feel crusty, it is probably time for a new set. The more crusty a string is, the less in tune it will play.
  5. Make Sure Your Guitar Is Strung Properly- This is one of the most important things you can do to stay in tune. If your guitar is not strung properly, it will not stay in tune. I recommend locking tuners for any guitar(Sperzel and Schaller make excellent ones), but if you do not want to modify your guitar, make sure to follow the procedure outlined later in the book.
  6. A Metronome- Probably the most dreaded device in the guitarist’s toolbox, this time keeper can be the tool that takes your playing to the next level. Turn it on EVERY practice session.
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What is the best way to get in touch with you?

The easiest way for me to stay in touch with my students is through e-mail. My teaching schedule usually goes late into the evening, so it is often difficult to return calls at night. I am usually pretty good about checking and returning e-mail, so if you sent me something and don’t hear back within a day or two, I may not have received it(occasionally new e-mail gets sent to my junk folder and I miss it before it is deleted). The contact form on my website is a pretty reliable way to get e-mail to me as well. Whether you are a current student or a guitarist looking to get some questions answered, feel free to send them my way.

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My guitar stopped working or sounds bad. What do I do?

Bring it on in! I do all my own wiring on my guitars and have been making adjustments for years. I can’t refret your neck or fix a headstock that snapped off, but most of the time guitar problems are small and can be fixed quickly and easily.

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